The Polaroid Project: At the Intersection of Art and Technology

Peter Beard San Quentin
Peter Beard, “The affects of solitary confinement, San Quentin Adjustment Center [one of our many tortures],” 1972

Exhibition dates: June 13 – September 15, 2019

Location: The McCord Museum in Montreal

The opening reception will take place at the McCord Museum on Tuesday, June 11, at 5:30 p.m. in the presence of the curators of the exhibition.

A unique opportunity to discover the extraordinary artistic and scientific creativity of Polaroid photography. At the intersection of art and technology, the exhibition presents the original works of some 100 of the most celebrated international artists of the 20th century along with the cameras they used.

This exhibition is organized by the Foundation for the Exhibition of Photography, New York, in collaboration with the MIT Museum, Cambridge, and the WestLicht Museum for Photography, Vienna.

Click here for more details on this exhibition.

The Polaroid Project

Peter Beard the Polaroid ProjectPeter Beard’s work will be exhibited as a part of The Polaroid Project, a traveling exhibition mounted by the Foundation for the Exhibition of Photography and curated by William Ewing, Barbara Hitchcock, Gary Van Zante, Deborah G. Douglas and Rebekka Reuter.

The Project

Polaroid, despite the demise of the great corporation, remains a highly respected name, evoking innovation, utility, creativity and quality. In the photography world, Polaroid has only the finest connotations, and the bankruptcy of the corporation has rightly been viewed as a tremendous loss for the field of artistic expression. Photographers were deprived of a creative laboratory that was unparalleled in the medium’s history.

The story of Polaroid is fascinating and instructive on many levels – industrially, technologically, artistically, economically, culturally and socially. There is even a military aspect. It is a story of brilliant marketing and salesmanship, but also a tale of complacency and blindness in the face of digital competition, and dismal management after Land’s demise. But in its heyday Polaroid was loved by millions of amateurs and embraced by countless professionals. Families recorded their lives; fashion and portrait photographers made tests with it; scientists used it for notes and records; while artists found it to be an exceptionally malleable and expressive medium.


It is our intention to produce a wide-ranging exhibition encompassing all aspects of Polaroid photography, including the technology that made it possible, and to simultaneously publish a serious study of Polaroid photography that will contribute to the understanding of Edwin Land’s outstanding invention on each of the levels listed above, something that has not been attempted in the past.

The Foundation for the Exhibition of Photography

http://www.fep-photo.org/exhibition/polaroid/

Venue list

Amon Carter Museum of American Art, Fort Worth TX
June 3-September 3 2017

WestLicht Museum for Photography, Vienna
December 5 2017-March 4 2018

Museum für Kunst und Gewerbe Hamburg, Hamburg
March 16-June 17 2018

C/O Berlin, Berlin
July 7-September 23 2018

MIT Museum, Cambridge, Massachusetts
Late 2019, early 2020

Exhibition Partner

The MIT Museum, Cambridge, MA, is a co-producer of the exhibition, along with WestLicht Museum for Photography, Vienna.