The Artist

Peter Beard with Minor the bushbaby at Hog Ranch, 1968

“When I first went to Kenya in August 1955, I could never have guessed what was going to happen. Kenya’s population was roughly five million, with about 100 tribes scattered throughout the endless “wild—deer—ness” – it was authentic, unspoiled, teeming with big game — so enormous it appeared inexhaustible.Everyone agreed it was too big to be destroyed. Now Kenya’s population of over 30 million drains the country’s limited and diminishing resources at an amazing rate: surrounding, isolating, and relentlessly pressuring the last pockets of wildlife in denatured Africa.

The beautiful play period has come to an end. Millions of years of evolutionary processes have been destroyed in the blink of an eye.

The Pleistocene is paved over, cannibalism is swallowed up by commercialism, arrows become AK- 47s, colonialism is replaced by the power, the prestige and the corruption of the international aid industry. This is The End Of The Game over and over.

What could possibly be next? Density and stress — aid and AIDS, deep blue computers and Nintendo robots, heart disease and cancer, liposuction and rhinoplasty, digital pets and Tamagotchi toys deliver us into the brave new world.”

Peter Beard


Peter Beard was born in New York City in 1938. A childhood obsession with nature blossomed during summers spent in Tuxedo Park with his grandmother who gave him his first camera, a Voightländer. Taking pictures became a natural extension of the way he already preserved his memories in meticulously crafted diaries. At seventeen he went on a life-changing trip to Africa with Quentin Keynes, the explorer and great grandson of Charles Darwin, working on a film documenting rare wildlife including the white and black rhinos of Zululand.

Beard entered Yale as a pre-med student and in a class on population dynamics he formed his enduring hypothesis that humans are, in fact, the main disease. He switched his focus to art and began studying under Vincent Scully, Joseph Albers, and Richard Lindner. Beard’s insatiable desire to explore lured him back to Africa, and in lieu of completing his senior thesis at school, he mailed in his diaries from Kenya. His journals continue to be an essential part of his artistic output.

In the 60s Beard received a special dispensation from President Kenyatta to purchase Hog Ranch in Kenya with the mandate that he film, photograph, write, and document the local flora, fauna, and peoples. Beard worked in Tsavo National Park documenting the imbalance between the people, the land, and the animals for his book The End of the Game (1965). In Beard’s second iteration of The End of the Game (1977) he documented a massive population die-off in Tsavo of 35,000 elephants and 5,000 rhinos as the animals succumbed to starvation and stress and density related diseases.

With Alistair Graham he studied crocodiles at Lake Rudolph and collaborated on the book Eyelids of Morning: The Mingled Destinies of Crocodiles and Men (1973). He also compiled Longing for Darkness: Kamante’s Tales from Out of Africa (1975). More recently, Zara’s Tales: Perilous Escapades in Equatorial Africa (2004) was written for his daughter, and Taschen published a monograph, Peter Beard (2006, 2008, 2013, 2020).

Beard’s first exhibition opened at the Blum Helman Gallery in New York in 1975 followed by a landmark 1977 one-man exhibition at the International Center of Photography, New York. Beard has exhibited internationally ever since. In 1996, Beard’s retrospective exhibition at the Centre National de la Photographie in Paris opened as the artist recovered from being trampled and speared in the leg by the tusk of an elephant. Beard’s most recent exhibition, Peter Beard: Last Word From Paradise was about the two places he loved the most, Montauk and Kenya. The exhibition was in 2016 at the Guild Hall Museum in East Hampton, New York.

Throughout his travels and career Beard has befriended and collaborated with artists including Andy Warhol, Francis Bacon, Salvador Dali, Richard Lindner, Terry Southern, and Truman Capote. He continues to live and work between New York City, Montauk, and Kenya with his wife, Nejma, and daughter, Zara.